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Glen Loveland

"Runaway Bride" in the Rearview Mirror



I recently revisited "Runaway Bride," the 1999 romantic comedy starring Julia Roberts and Richard Gere, I was struck by how much our cultural landscape has shifted in the past 25 years. I found myself viewing this once-beloved film through a completely different lens.


The premise that once seemed charming--a woman repeatedly leaving men at the altar, pursued by a determined male journalist--now feels uncomfortable, even problematic. Roberts' character, Maggie Carpenter, spends much of the movie apologizing for her life choices, as if not getting married is some sort of personal failing. It's a narrative that seems almost quaint in 2024, especially in light of the strides we've made in discussions about women's autonomy and life choices.


What's particularly interesting is that this screenplay was written by two women, Josann McGibbon and Sara Parriott. It underscores just how deeply ingrained certain societal norms were, even among female writers of the time. It's a stark reminder of how far we've come in a relatively short time.


I couldn't help but think about how this film might be received if it were released today. In our post-#MeToo world, the idea of a male journalist essentially harassing a woman about her personal life would likely face significant backlash. It's hard to imagine such a premise making it past the pitch stage in today's Hollywood.Yet, as a cultural artifact, "Runaway Bride" serves an important purpose. It provides a window into the attitudes and expectations of the late '90s and early 2000s.


Interestingly, even at the time of its release, the film received mixed reviews. With a 46% rating on Rotten Tomatoes, critics cited issues with chemistry and plot. But it's telling that these criticisms focused on the execution rather than the underlying themes.


Revisiting "Runaway Bride" in 2024 was a reminder of how much can change in a quarter-century. It's a testament to the power of evolving social consciousness and the importance of continually reassessing our cultural narratives. As we look back on films like this, we're not just critiquing entertainment - we're charting the course of social progress.


"Runaway Bride" may no longer resonate as it once did, but it serves as a valuable benchmark for how far we've come in our discussions about gender, personal choice, and societal expectations. And that, perhaps, is its most enduring legacy.



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